Sep 19, 2012 | Handwriting Design, New Work, Recent Posts
I had the opportunity to work on a wonderful project for the Seattle Study Club this summer. The brochure for their annual symposium was composed primarily of words; it featured one person talking, with no photographs or color. The designer came to me for handwriting to call out highlights in the text. I developed a style of quirky calligraphy done with a ruling pen. My goal: to enliven the copy and bring the subject matter, of inquiry, study and conversation, to life. In this era of font proliferation my invisible goal behind the scenes was to "not look like a font." I love it when a client wants custom work to actually look like custom work and not like something that already exists!
The symposium gala takes place at Ngala, a wild-life preserve that features a much-beloved giraffe named Coulter, and he appears towards the end of the brochure. It was his spirit that animated the handwriting. You can see the complete brochure here. I have pulled out representative pages, some in layout and some cropped, so you can see how the custom lettering design works with and without type in the actual layout. Click on the individual pages to see them larger.
Custom handwriting and calligraphic illustration ©Iskra Design
Aug 22, 2012 | New Work, Recent Posts
August is Poetry Month at Iskra Design. These elegiac days are always about impending change, suspended between the lovelieness of summer light and the coming Autumn. Thank you Emily for reminding me what it's all about.
Brush Calligraphy and photocollage ©Iskra Design
Jul 3, 2012 | New Work, Recent Posts
Brush Drawing with Watermelon Accents © Iskra Design
Jun 12, 2012 | New Work, Recent Posts
© Iskra Design
Part of a series of iconic images for an art center, to be used in signage and in print. How do you say something new about the human condition with 3 to13 brush strokes? Laughing or crying, not much room in an icon for what's in between.
Apr 10, 2012 | New Work, Recent Posts
Successfully melding words and images is a tricky design challenge, particularly when it involves a brassiere. Exactly how do you fit two unequally long words into two equal shapes? And how do you make it readable? And what style of bra? and are there ribbons???
This project for Woman Within was a lot of fun. The process started with pencils to solve basic pose and letterform style questions. Then I moved to tighter brush sketches and started mixing and matching elements to get to something that would read immediately as words, with just enough suggestion of "woman" to tell you what it was about.
Above, the final logo, before being vectorized.